Snowcrashing

The new age of streaming is officially here.

Posted on 19. May, 2009 by Antonella Stellacci.

Napster started the music revolution 10 years ago with its file-sharing network. Today’s announcement on the roll-out of a $5 subscription for 5 downloads and unlimited streaming might not sound as epic.

But the fact of the matter is that it officially sanctions the shift from Downloads to Streaming.  From Ownership to Access.

We are not yet into the full-fledged Access Era as depicted by Caraeff and Masnick with interactive listening and your library in the cloud.

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Weekly Digest on the Music Industry- April 12, 2009

Posted on 13. Apr, 2009 by Antonella Stellacci.

BREAKING NEWS

ONE BILLION DOWNLOADS FOR THE APPLE STORE

Apple’s numbers are worth noting, because the company reported 800 million downloads just a month ago, and hit half a billion back in January. iTunes, on the other hand, took two years to reach that number of songs downloaded. The all-time top 20 apps sees Facebook and Google Earth climbing past Pandora to become the top free apps, followed by Pandora, Tap Tap Range and Shazam. [VentureBeat]

TRENDS

SPOTIFY CEO INTERVIEWED BY THE GUARDIAN: MUSIC FANS WILL BUY MUSIC

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Spotify new business model

Posted on 04. Apr, 2009 by Antonella Stellacci.

Since its launch in October 2008. Spotify has been getting lots of plaudits from users and bloggers.

From TorrentFreak to  TechCrunch, the service seems to have impressed people who have tried it with its speed, usability, and depth of songs. Spotify seems to be the new European Mecca for music.  Yes European only, since it isn’t officially available in the U.S. yet (though a Digg commenter did provide a way for people to try it out Stateside, at least temporarily). Right now it can be accessed in the UK, Germany, France, Italy, Spain, Finland, Norway, and Sweden.

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Streaming Music Services: Is the death of the frog a case of contagious disease?

Posted on 29. Mar, 2009 by Antonella Stellacci.

Late at night on March 19th after less than 3 years in operations, Spiral Frog silently pulled the plug on its site.

Just like a rockstar, hyped and controversial during its life, the frog didn’t miss to spark a heated debate with its suicide.
That its death happens not long after the demise of Ruckus-the streaming service built for college student and acquired by another now- zombie, Total Music- only contributes to the darker tone of the debate.

So what killed SpiralFrog? Was it an isolated case of bad capital structure, huge upfront fees, lack of usability, poor advertising revenues? Could another startup take over its mission?

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